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Poetry Swap Pocket

Summer+Poetry+Swap-1My last Summer 2017 Poetry Swap parcel arrived this week and I was quite bowled over by it. Linda Baie sure knows how to pack a lot of goodies into a little bubble mailer!

She sent me—a pocket! How perfect for a habitual walker who is always grabbing for a tissue or a notebook or a camera out of her pocket!

This pocket was packed with: a personal note, a notebook, a Pilot pen (even the brand name seems perfect), mints, a (real cloth embroidered) hankie, a couple of pine cones along with a legend about them (perfect to entertain my grands!), a piece of petrified wood, a poem bookmark, and the most darling little black feather you ever saw!

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Pocket treasures from Linda B. – Summer 2017 Poetry Swap (Photo by V. Nesdoly)

And this poem… (Linda, you are amazing! – Thank you!!)

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Linda, you’ve tied it up perfectly with those last five lines: “doing art … gathering bouquets of images … a crystal vase of ideas.” I’m totally inspired!

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poetryfridayThis post is linked to Poetry Friday, hosted today by poet and photographer Jone at Check It Out.

There, Jone challenges us to an Acrostic. Well, I just happen to have one in my Summer Shorts (poem-a-day photo-challenge project). It’s all about the PRODUCE (the August 3rd #CY365 prompt)

Produce

Photo for “Produce – #CY365 for August 3, 2017 (© 2017 by V. Nesdoly)

PRODUCE

Parsnip, turnip, bok choy
Rutabaga, beet
Orange carrots in a row
Daikon long and white
Under produce mirror-bin
Cabbage doubles round and green–those
Egos swell as veggies preen

© 2017 by Violet Nesdoly (All rights reserved)

 
 

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work

And so the work of writing a poem a day begins…

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Image: Pixabay

work

it starts with pen on paper
it’s scribbles and cross-outs and trying again
it’s squeezing eyes shut to focus
it’s herding cat-thoughts
into an orderly, logical line
it’s silence
no music, the door closed
no one dropping into my office to chat

it’s following arrows and numbers
to read through the mess
of what I’ve written to this point
to “hear” what’s next
it’s ideas finally snapping into place
it’s the moment I switch
from writing desk to computer
prop messy sheets on the stand
it’s beginning to type

it’s feeling this thing I’m making
—a sculpture with words—
under my fingers
it’s making keyboard adjustments
as surely as if I used a file on wood
it’s reading to check tautness of ideas
flow of words, it’s tinkering
adding a word here, taking one out there
with an eye on word count

it’s saving, printing
putting it in a folder to cool
it’s going downstairs
flicking on some frivolous TV show
and resting my brain
that is now exhausted and mellow

© 2017 by Violet Nesdoly (All rights reserved)

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Prompt or inspiration:

The poem above was inspired by this April 9, 2015 prompt at Poetic Asides:

For today’s prompt, write a work poem. For some folks, writing is work (great, huh?). For others, work is teaching, engineering, or delivering pizzas. Still others, dream of having work to help them pay the bills or go to all ages shows. Some don’t want work, don’t need work, and are glad to be free of the rat race. There are people who work out, work on problems, and well, I’ll let you work out how to handle your poem today.

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VintagePADThis April I’m celebrating National Poetry Month by posting some previously written but not-as-yet published poems out of storage. If the prompt inspires you to write a poem of your own, you’re welcome to type it into comments and share your take on the subject with us. Whether you write or not, thanks so much for dropping by!

 
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Posted by on April 1, 2017 in Personal, Writing

 

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NPM ’16 – What I learned

SpendItAll-Dillard

The entire quote from which the above is taken:

“One of the few things I know about writing is this: Spend it all, shoot it, play it, lose it, all, right away, every time. Do not hoard what seems good for a later place in the book, or for another book, give it, give it all, give it now… Some more will arise for later, something better. These things fill from behind, from beneath, like well water. Similarly, the impulse to keep to yourself what you have learned is not only shameful, it is destructive. Anything you do not give freely and abundantly becomes lost to you. You open your safe and find ashes.” – Annie Dillard

I once had the quote by Annie Dillard (above) pinned to my bulletin board. It was encouragement to be less hesitant to use my “good ideas”  (what if I never got another one…) and to share my writing. This last month I have put it into practice perhaps more than ever before. For not only did I write a new poem every day but  also published daily here on this blog.

I think I enjoyed April of 2016 poetically more than any National Poetry month till now. I’m sure that’s because I put more into it in several ways. Here are some things I learned about myself and the writing process.

1. The fact that I was determined to post a poem every day had me working harder and more purposefully than other years when I wrote daily but didn’t go public.

2. I got a lot out of following other poets’ projects. Here are some of the April 2016 poem series that I enjoyed a lot:

Mary Lee Hahn’s series inspired by old photos.

Donna Smith’s series inspired by vanity license plates.

– Irene Latham’s series “Art Speak” inspired by paintings (many that involved food, to go with her latest published project Fresh Delicious).

– Amy L. Vanderwater’s series “Wallow in Wonder” inspired by the daily questions at Wonderopolis.

Margaret Simon’s series inspired by photographic images.

– Doraine Bennett’s series “Feet in a Creek” inspired by specific poems of favorite poets.

Heidi Mordhorst’s series of poetry paired with music.

– And of course, being part of the 2016 Kidlitosphere Progressive Poem.

These series got me thinking that on another year I’d like to write to a theme.

3. Writing daily has helped me feel more relaxed about the process. It has showed me that if you sit with an idea for a while, something usually surfaces. The wonderful thing about poetry is that it can be about anything. When I give what James Scott Bell calls “the boys in the basement” the assignment to come up with an idea, they usually do. It helps, though, to be patient and respect the process.  Here’s how I described that process some years ago

Some Poems

Some poems appear like lightning
an epiphany moment
of illuminating clarity

Others are a groping hand-over-hand
out of the well of experience
into the light of meaning

© 2016 by Violet Nesdoly (All rights reserved)

4. Finally, what kept me going most was the companionship of my writing friend Laurel. She joined me in this challenge by publishing a new poem of her own almost every day on her blog Four Parts Hope. There’s nothing like a poet buddy to keep one on track. Thanks Laurel!

Thanks, as well, to all who came by and read these daily April postings!

I will now resume my usual pedestrian schedule of one or two posts per week.

 
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Posted by on May 2, 2016 in Personal, Writing

 

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Poetry wants a day off (NPM ’16-Day 25)

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Poetry wants a day off

Spring wind is chill today.
Words refuse to come out to play.
There seems to be nothing left to say.
It must be Monday.

The clock keeps ticking—no delay
The days creep on in their rigid array.
I will send my muse a fresh bouquet
for a better poem on Tuesday.

© 2016 by Violet Nesdoly (All rights reserved)

(Photo courtesy Pixabay.com)

 
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Posted by on April 25, 2016 in Writing

 

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Hello Poetry Month!

Today is April 1st and the beginning of National Poetry Month. Today is also Poetry Friday. How perfect when the two come together!

As I usually do in April, I’m planning to do some extra writing. The goal is to write a poem a day or at least spend some time on poetry-writing every day (though I may  take Sundays off, with no guilt).  I will also contribute a line  to the 2016 Kidlitosphere Progressive Poem arranged by Irene Latham (looking forward to that–the schedule of who contributes a line when is in the right sidebar).

To begin this month I’m going to share with you some of the quotes I’ve collected about poetry over the years and end with a little ars poetica piece I wrote myself.

About the writing process:

“I don’t believe in inspiration. (I love telling my students that–everyone is always shocked.) If I sat down and wrote a poem only when I felt like writing a poem or when I felt inspired, I would have written maybe one poem in my life.

“What I believe is that to keep yourself writing, to fully live a writing life, you have to do whatever it takes to keep the engine running, so to speak. For me, that means: writing when my students write in class, writing on the subway, assigning myself writing exercises, forcing myself to sit at my desk and write.”

– Nicole Cooley from the How A Poem Happens blog.

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“If you have writer’s block, lower your standards.” – Poet Marvin Bell (quoted by Nicole Cooley in the above blog post).

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“In my opinion, no doubt a minority view, inspiration is overrated. Occasionally, lightning strikes with a word/phrase/or rhyme, but for me poems come from dedication. Strapped to a chair. I do wish my Muse were a reliable fixture on my desk, but she is usually off shopping, perhaps because she feels unwanted, which isn’t true of course, but there it is….

“A poem does not begin with an idea but with a word, a phrase. Of course, I know beforehand what subject I intend to write about, but I can sit here endlessly thinking of words before liftoff….”

– J. Patrick Lewis – in an interview by Matt Forrest Essenwine.

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“As a writer, as a keeper of a daily reflective journal, I find that as soon as I put words and ideas onto paper in my notebook, or type them into my computer, they begin to gather to themselves more images, more words and ideas. As I write I have the sensation of being at the center of a small vortex of enlarging connections…” Luci Shaw in Breath for the Bones, KL 1401

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You Say Grace

You say grace before meals
All right.
But I say grace before the play and the opera,
And grace before the concert and pantomime,
And grace before I open a book,
And grace before sketching, painting,
Swimming, fencing, boxing, walking, playing, dancing;
And grace before I dip the pen in ink.
– G.K. Chesterton

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“Writing poetry is not putting down whatever comes into your head, and leaving it at that, never taking it any further. Poetry involves layers, and a lot of revision.” – Barbara Crooker quoted on Your Daily Poem.

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“Compose with utter freedom and edit with utter discipline.”
– Erica Jong

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“I think that as a young poet I looked for what Keats called ‘a fine excess,’ but as an old poet I look for spareness and rigor and a world of compassion.”
– Stanley Kunitz (from Writer’s Almanac – July 29, ? year).

About the reading process:

“I don’t think people read poetry because they’re interested in the poet. I think they read poetry because they’re interested in themselves.” – Billy Collins on Writer’s Almanac.

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“Take me: my theory is a poem should set you free: reading a real poem should leave you feeling less tired and more exquisitely yourself. Aerated. You’ve been speeded up and perhaps somewhat dispersed, your bits enjoying more distance from each other than they had previously. You seem to have been augmented, but not in any one place like a lump; no, just some extra electrons here and there; you could never say where. No; that can’t be right. You couldn’t be heavier if it was a real poem. So maybe it’s more of an electron swap or adjustment; hard to say, because these are very small, fast exchanges. In any case, every poem does some small thing to fit us to the galaxies.”

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“Poetry and music are sister arts. So are poetry and painting. It’s as if the eye and the ear were related through poetry, as if they had become siblings or lovers.” – Edward Hirsch, How to Read a Poem, Harcourt, Brace & Cop. Durham N. Carolina 1999. p. 17.

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“Writers are great lovers.  They fall in love with other writers. That’s how they learn to write.  They take on a writer, read everything by him or her, read it over again until they understand how the writer moves, pauses, and sees.  That’s what being a lover is; stepping out of yourself, stepping into someone else’s skin. Your ability to love another’s writing means that those capabilities are awakened in you.  It will only make you bigger; it won’t make you a copy cat. The parts of another’s writing that are natural to you will become you, and you will use some of those moves when you write.  But not artificially. … So writing is not just writing.  It is also having a relationship with other writers.”
– Natalie Goldberg – Writing Down the Bones.

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“Take the scenic route…”  (Photo © 2016 by V. Nesdoly)

The road I’ve taken (a riddle)

Each April morning I’ll hit the road
with one for the road
take the scenic route
detour down a narrow
two-rutted lane
that may be a cul-de-sac to nowhere.
It’s definitely not the highway
parkway, turnpike or freeway
to notoriety, is the long way round
to trendy, this course
that has become my driveway.
It’s poetry.

– © 2016 by Violet Nesdoly (written during National Poetry month in April 2014)  All rights reserved

(Select the space with your mouse or trackpad and the word will become visible.)

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Poetry Friday LogoThis post is linked to Poetry Friday, hosted this week by award-winning Amy at The Poem Farm (Congratulations, Amy!!).

 
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Posted by on April 1, 2016 in Poetry Friday, Writing

 

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Writing

Beach pea and daisy

Writing

Beside the path
that winds through my
waking and sleeping,
grow, like wild flowers,
scenes, insights, connections.
Some days I am too rushed
or distracted to see.
On others I am wiser,
live with the perception
that gathers a bouquet,
chooses one or two
to press
between the covers
of a book.

© 2004 by Violet Nesdoly

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Today’s poem “Writing” is reposted from a first appearance here in 2010. Sad to say, I haven’t been picking or pressing many of those wildflowers lately because I’ve been engrossed in something else. The poem “Writing” is part of it.

CalendarYou see, I’ve been studying Mark Coker’s style guide on how to format documents for Smashwords. (In case you’re not familiar, Smashwords is a website through which you can publish and sell your own ebooks.)

I’ve wanted to try my hand at this kind of self-publishing for a while and decided to make my guinea pig document a chapbook that I first published in 2004 called Calendar. After spending several weeks snatching moments here and there to work on my document, this Monday I nervously hit “Publish.”

Amazingly the process completed without a hitch! And so today I’d like to introduce you to the 2014 ebook edition of Calendar!

Poetry Friday LogoNow to see what the rest of the Poetry Friday ladies and gents have been up to, click over to Buffy’s Blog where the lovely Buffy Silverman is laying out this week’s  Poetry Friday fare.

 

 

 

 
 

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